Composing the picture was a matter of seeking a view that would show a lot of curves, a mix of overlap and edges for dimensionality, balance of weighty shapes and negative space. I don't think about these things while shooting, or rather they mostly flit around in my subconscious. After years of explicitly critiquing my own work in these terms, I'd like to think that some benefit is beginning to show up in my "automatic" choices. At any rate, this is something that I'll always be able to work on, no matter what happens in the realm of camera technology.
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